acrylic on linen, 2013
30 x 30”, 76 x 76 cm, 34 x 34” framed
$3200
While visiting Savannah, Georgia, my husband and I stopped by this restaurant for a drink with a coastal view. Looking toward the entry, away from the water, the light coming through the windows created interest and reflected onto the shiny bar top. The silhouette of the receptionist added tremendously to the scene.

acrylic on board with genuine gold leaf, 2017
36 x 18”, 91 x 46, 29 x 21” framed
$2600
Paris abounds with painted, historical glass on shop windows. Sadly, they are becoming a lost art but many are restored and remain even today. They tell the story of Paris. By simplifying the background reflections, I created a backdrop for the genuine gold-leafed painting to give it the illusion that it is on the glass.

acrylic on linen, 2016
30 x 24”, 76 x 61 cm, framed, 36 x 30”
$2900
The composition of Pont Royal Reflections tells you about the shapes the reflections created from the buildings. When you study them, you will see the reflections are the Louvre. By cutting off most of the buildings at the top, I was able to draw you to the reflections. Although a limited palette, many impressionistic colors were used within simple shapes to achieve the stone textures.

oil on linen, 2019
18 x 24”, 46 x 61 cm , 19 x 25” framed
$1375
Leisurely walking in Charleston always makes you wonder what is behind the wall of the public pathways and streets. In this case, I was as much intrigued by the textures on the palisade as what was behind the wall.

oil on linen, 24 x 30”, 61 x 76 cm, 2018
$3075, not framed
The hilltop village of St. Cirq Lapopie, in the Dordogne area of France, can create numerous moods. On this early morning, the fog had rolled in overnight and had shrouded most of the surrounding area in the village.

acrylic on linen, 2014
30 x 30”, 76 x 76 cm, 32 x 32: framed
$3200
Palmetto trees are abundantly found in the Carolinas. The shadows cast helped to create this composition. This painting was accepted into the 2015 ‘Carolinas Got Art Juried Exhibition’ — a juried exhibition open to North and South Carolina artists. Only 100 entries were accepted into the show.

watercolor on paper, 2011
14 x 11”, 36 x 28 cm, framed, 24 x 20”
$625
Entering from a dark archway in the Louvre Plaza in Paris, the diamond-shaped glass Louvre Pyramid suddenly appears in front. The backlit group of people cast strong shadow shapes and offered good contrast for the subtle colors on the glass pyramid.

watercolor, 2016
6 x 15”, 15 x 38 cm
framed, 15 x 23”
$525

It is fairly peaceful to sit on a Tuscan villa patio in Cortona, Italy, watching the sun go down while sipping a glass of Chianti. I was doing just that while teaching a painting workshop in Tuscany. Suddenly, the sky turned a warm yellow creating a reddish glow on the trees yet leaving the foreground a cool blueish-purple. Capturing the fleeting moment is what this painting is about.

acrylic on panel, 2012
9 x 12”, 23 x 31 cm, framed, 12 x 15”
$400
The Tuscan countryside has typical Tuscan scenes at almost every turn. For this small painting, I wanted to try a new painting technique. First, I painted the panel with rust gesso, then scratched the surface slightly to create a texture. After it dried, I painted this scene with acrylic on the textured base.

oil, 2017
18 x 36”, 46 x 91 cm, 21 x 39” framed
$2450
One of my favorite adventures is to hit the backroads of an area with no planned destinations. This very panoramic vista in the Chianti area of Tuscany, somewhere between Siena to Panzano, was one of those discoveries. This vista extended for 360 degrees.

oil on linen, 2018
30 x 30”, 76 x 76 cm, framed 32 x 32”
$3200
Years of wear textures on this grand Venetian pot attracted me. Even the lichen growing on it added to its appeal. To enhance the feeling and scale of the pot, the stairs in the background and column remained but I painted them to tell the story, but as a softer value background.

DETAILS: https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings

watercolor on paper
10 x 10”, 25 x 25 cm, framed, 19 x 19”
$400
Scopello at the Tuna Factory in Sicily produced these intriguing rock formations rising out of the sea. This was painted Plein-Air to demonstrate reflections, which can be quite challenging in watercolor with a moving sea.
DETAILS: https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings

oil on art media board, 2017
16 x 20”, 41 x 26 cm, 17 x 21” framed
$950
While traveling in Cape Porpoise, Maine, this lighthouse glowed with the approaching storm. The low tide aided the composition and allows the viewer to enter the painting. Using oil on the art media board added an interesting texture to the water.
DETAILS: https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings

acrylic on linen, 2014
14 x 11”, 36 x 28 cm, framed 20" x 17”
$550
Montepulciano, a famous hilltop town in Tuscany, offers artists continual subjects to paint. I was intrigued by the textures on the old wall and arch where the light was catching the texture.

DETAILS: https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings

acrylic on linen, 2012
30 x 30”, 76 x 76 cm, framed, 32 x 32”
$3200
I spotted these reflections walking near the Piazzo Navona in Rome, Italy. The scene looked so typically Italian to me. The glass door, opposite, was being reflected onto the wall; it was actually curved. The viewer must determine what is a reflection versus the textures on the wall.
DETAILS: https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings

watercolor, 2003
29 x 21”, 53 x 74 cm, framed 41 x 34”
$3150

A Basque restaurant in Southwest France in St. Jean de Luz.

DETAILS: https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings

acrylic on canvas, 2009
40 X 40”, 102 x 102 cm
$3200, gallery wrap

The Musée Carnavalet in the Marais, tells the history of Paris of a bygone era. Arches around the interior courtyard beckon you into the museum.

DETAILS: 
https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings

acrylic on canvas with gold leaf, 2008
40 x 40”, 102 x 102 cm
$3200, gallery wrap

One often enters the Jardin du Palais Royale through a small entry that suddenly opens up to a huge garden. Deciding to paint a large square painting of the scene enabled me to concentrate on the lovely building textures and design. The gold-leafed gate-posts at the entrance to the Café help to welcome the viewer. Reflections on the window give you the sense there is a garden behind them.

DETAILS: 
https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings

watercolor on paper, 2012
21 x 29”, 53 x 74 cm, framed, 32 x 40”
$3050

The alleys in Charleston seem to be beckoning you in through the shadow patterns cast on the old cobblestone walks. Almost any alley is a delightful scene and an artist is provided with endless subjects.

DETAILS: 
https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings

watercolor on paper, 2012
29 x 21”, 53 x 74 cm, framed, 40 x 32”
$3050
In Panzano, staying at Villa le Barone, high on a hilltop above Florence, this view was just down the road. It inspired me because of the various textures - one of my favorite painting styles to do. When painting this in watercolor, I must do a lot of ‘negative painting’ as watercolor must always go light to dark and few corrections can be made. White paint is rarely used.

DETAILS: 
https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings

contact@jannpollard.com

Oil, 2022
18"X24", 46x61 cm, Ready for framing.
$1550
While vacationing in the South, the light on this enclosed porch in the Bed and Breakfast Inn was particularly inviting one morning. I often tag along on my husband’s road-bike tours to photo and paint Plein-Air.

DETAILS:
https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings

Oil on prepared rice paper, 2018
20" x 16", 51 x 41 cm, framed 23" x 19"
$890
The aged, Cotswold stone continually draws me; in this case it seemed to be inviting me for a cup of tea. To create some of the texture, rice paper was mounted on board and was prepared to receive oils. Using this technique enabled me to paint more Impressionistic because I was utilizing the underlying texture in addition to my brush strokes.

DETAILS:
https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings

watercolor, 2004
19" x 26" (48x66 cm), framed 33"x40"
$1525
Bistro Jeanty is a wonderful restaurant in the wine country, Napa, California.
DETAILS:
https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings

watercolor, 2014
28" x 21", framed 40" x 33", archival off white mat
$2900

Snow doesn’t happen often in Charlotte, but when it does, it is magical. This is a scene from the ‘morning after’ one of those snow storms. The color of the snow was warm and sparkling in the woods, but still cool and icy on the chairs  — and magical!

DETAILS:
https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings

acrylic on canvas with wrapped painted edge, 2011
1 1/2" deep
$1475

I have always loved to paint the intriguing architecture on the Louvre. Again, I was playing with textures and various mediums on this painting. There are many thin glazed layers as well.
DETAILS:
https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings

Oil on linen, 2017
20" x 24", unframed
$1450

When I was represented in a gallery in Napa, I drove to the Wine Country from the San Francisco Bay area once a month. I was able to capture the changing seasons for an entire year. It was a wonderful experience while visiting many wineries and landscapes.
DETAILS:
https://www.artworkarchive.com/profile/jann-pollard/collection/available-paintings